Illustration to a poem by Rainer Maria Rilke. Poster for "Prince Richard Metternich" 1899ĭesign for the anniversary stamp with Austrian Emperor Francis I 1908ĭrafts for the exlibris for Fritz Waerndorfer 1903ĭraft of furniture decoration for the bedroom of the apartment Eisler Terra Mare 1902Įarly spring. Holy Spirit Church in Düsseldorf, design for the entrance wall 1907ĭraft drawings for the breakfast room of the apartment Eisler Terramare, proportion of study seat 1903 Illustration for Jugendschatz German seals. Picture book for the niece of Ditha Mautner von Markhof 1904Īllegory of Ver Sacrum, sketch of illustration to Ver Sacrum, 101 1898, p.1 1897 Stage design for "The minutes of love" by Edward Bauersfeld 1908 Holy Spirit Church in Düsseldorf, design for the choir wall 1907 Moser was diagnosed with incurable cancer of the larynx in 1916 and died on October 18, 1918, in Vienna, Austria. During his career, Moser designed a wide array of artworks, including books and graphic works from postage stamps to magazine vignettes fashion stained glass windows, porcelains and ceramics, blown glass, tableware, silver, jewelry, and furniture. In 1911, the first exhibition of his painting was held at the Galerie Miethke in Vienna. In 1907 Moser, due to internal conflicts and as his plans for reorganizing the Werkstätte to cope with financial problems weren't realized, withdrew from the Wiener Werkstätte and devoted himself exclusively to painting.
KOLOMAN MOSER 13TH VIENNA SECESSION SERIES
He also created a series of stamps and banknotes. Besides, Moser was one of the designers for Austria's leading art journal "Ver Sacrum".
KOLOMAN MOSER 13TH VIENNA SECESSION WINDOWS
In 1904, he created the Apse mosaic and glass windows for the Kirche am Steinhof in Vienna. In 1903, Moser and his colleague Josef Hoffmann founded Wiener Werkstätte, whose studios and artisans produced a number of aesthetically and functionally designed household goods, including glassware, flatware, silverware, rugs, and textiles.
Moser drew upon the clean lines and repetitive motifs of classical Greek and Roman art and architecture in reaction to the Baroque decadence of his turn-of-the-century Viennese surroundings. His designs in architecture, furniture, jewelry, graphics, and tapestries helped characterize the work of this era. In 1901-1902, Moser published a portfolio titled "Die Quelle" ("The Source") of elegant graphic designs for such things as tapestries, fabrics, and wallpaper. From 1899 till his death, he taught at the University of Applied Arts Vienna. Koloman Moser began his career as an illustrator for the art journal "Meggendorfer Blatter".
In 1904, he created the Apse mosaic and glass windows for the Kirche am Steinhof in Vienna.īesides, Moser was one of the designers for Austria's leading art journal "Ver Sacrum".